This particular study of the art of Cartooning is intended for kids ages 12 and older. I’ll do a simpler one for the little tykes later on.
So you think that you might want to be a Cartoonist, huh? You want the million dollar mansions, the Mercedes in the driveway, and the 3 rounds of golf that you get to play every week, because, hey, it only takes a few minutes a day to bang out a cartoon, right. Oh, and don’t forget the groupies. Groupies just like the ones that used to follow Led Zeppelin around back in the 70’s. You want thousands of those.
Before I tell you the truth, you might want to sit down. First off, there aren’t many cartoonists who own mansions. I know. You’ve read all about Charles Schulz, the creator of Peanuts raking in billions every year, just on Snoopy pajamas alone.
Or maybe you saw an interview with Jim Davis, whose ability to put Garfield images on everything from lasagna boxes to moon rocks, has made him a frequent guest on “Lifestyles of the Rich and Famous”.
Yeah. Sure, there are those guys. But, for everyone of them, there are thousands of cartoonists who live from paycheck to paycheck or, worse, handout to handout. It’s not a career for the faint of heart. No mansions, no Mercedes, no golf, and NO groupies. Ok. Maybe Berke Breathed, creator of Bloom County, might actually be able to attest to groupies (it had something to do with the allure of a Penguin with a big nose), but for the rest of us, no groupies.
So at this point you may be asking yourself, then why do it? Why torture yourself with the deadlines, and the low pay and the general disrespect you get daily from editors who think that people only worship at the feet of writers. Cartoonists? We’re the low rent district. So why, why, why?
In a word. Love. We love to draw funny little pictures that make fun of the editors who pay the art form no respect. We love the ability to skewer the politicians who are running amuck throughout our communities with a single solitary image that reduces them to tears. And we love to lampoon everything from a tall soy, no fat, latte, to the poor fool who can’t afford one, which sometimes is one of us. We were the ones who learned how to draw cartoons in Algebra class. The ones who scrawled stuff on the desks at school. The ones who would rather watch a great episode of Wile E. Coyote and the Roadrunner as opposed to, say, something redeeming on the Discovery channel. If that describes you, then welcome. You are one of the ones. If not, that’s OK. I’ve heard the Guitar Hero and Rock Band come with groupies…So there you go. I hope you’ll stick with us regardless because, well, just remember this…When you see a few funny drawings making fun of people who are playing Guitar Hero for hours on end, you’ll want to know where they come from.
So, now, where does that leave us class. At the beginning. In these posts I’ll be covering a variety of subjects that I hope will bring you some insight and some tips and techniques that can help you become a cartoonist, or perhaps, a better one.
We’ll deal with stuff like “where DO YOU get your ideas?”, tools of the trade, the penciling and inking process of putting it all together to make a cartoon. We’ll deal with Wacom tablets, scanners and some Photoshop basics to help you color stuff for publication or the web. We’ll talk about syndication, otherwise known as “Lawyers, Guns and Money” (just kidding about the guns part), web comics, which is where the future lies, and other models of monetizing your cartoons. Above all, I think we’ll have blast that will put us on the road to becoming one of the most noble and honorable of professions: The Cartoonist.
Stay tooned for our first chapter, which will take us into the scary and frightening mind of the Cartoonist. We’ll explore the thought process, exactly how and where to get ideas and inspiration from. We’ll reach deeply into the human soul and psyche to find out precisely where “EHHH, What’s Up Doc” really comes from. So hang on to your seat cushions. We’re about to enter the Cartoonists Zone.
Questions about creativity? You can reach the Rhino by e-mail at email@example.com
or by phone at 303-912-9265